Bark, Archive, Splinter

Bark, Archive, Splinter

Bark, Archive, Splinter

Bark, Archive, Splinter

___________________

Bark, Archive, Splinter

 

Bark, archive, splinter

Following pandemics of ink disease and voyages in reverse, can wordhoard be both measure and buffer

In line with fluctuating numbers along critical food chains

Your remit is to forge the full stress of the globe’s lavish adjectives

To get close to the subject. His subject

Like trespassing past headstones towards the willow, the thorn, the poplar, the plane, the oak, the

maple, the linden, the laurel, the holm, the hazel, the fir, the elm, the dogwood, the chestnut, the box, the birch, the beech, the aspen, the ash, the alder, and the

Absent addressee. Assembling a defence for the organic underneath shade of poisonous yews

This second person must be plural. Fingering its arils, you learn this tree inhibits the decoding of groves

—————————————————————————————————————————graves

After dogged amassment, after magnifying broadcasts, those underground thresholds may have turned

toxic

You are searching for your single artefact

The conversion. To be handled with gloves, to protect against splintering, to communicate. With others

The eye is sometimes borrowed sometimes

Someone else’s pain

 

 

 

___________________

Bark, Archive, Splinter

 

Bark, archive, splinter

As an order. Not a note

Say your face was bleeding, or that you were always right behind him

Say you were tender-riven out of your limits, or that you lay outwith the reach of his orchardside

—————————————————————————————————————oversight

Say ten hundred infantry vanish in the cover. Of an underpass, or that the dule trees ahead of the

barracks, not knowing what they are yet, not knowing that they are dead yet, they wait to wail, they weep to waste sap, to reverb and recycle lonely parts of speech. Yes

Wake up! Firs, even in the company of fruiting trees, do they know why they lack the flesh that makes

ancient grammar friable

A bed of moss in each foreign territory. Carapace of thrashing tormentil

No sir

Sorry sir


 

___________________

Bark, Archive, Splinter

 

Bark, archive, splinter

Making matches

Even if he wanted to be a time-adjourned being

Interrogating desire, annulling chronology

See how erogenous bursts of pollen can sometimes cosplay as zest. You support his moving typography

and chatter

All in on the fantasy of a Great Replanting

He teaches you to transform timber by repeating it slow. Take time by hoarding increments on the lip

A template for pleasure. So that you might scavenge some leaflight

To hear the coeval hum of bees ripen

Vision of a queer tree in the absence of consent. Vapour suns. Abundant renewal

No, really! You can scan the circuitry of the nation’s opened

Morgue: one tongue at rest above the other. An anatomy lesson on how the limit of an understudy

grows in parallel with the limit of playing the fluent dead

Versed in bark, revising under nival brightness

Past a doorway, without rushing, the brittle fringes of pining trees update their software slurry

Statutory symbols and settings: slurred accent of lichen torn by rogue protocol of frost

In the waiting room for the diversity meeting, the forest breathes

He said, reassuringly: Trees are the lungs that compel process

He said, threateningly: Lungs are the trees that compel process

Meanwhile, hunkering down in the scriptorium, you idly daydream about rewiring the engine of the

land’s rubric where, in that lengthy rehearsal, as if the freelance gig was his skull or a tree nut, a gall wasp or a woodcut or a bulwark or some breathwork, you finally crack the translation right open

This recipe to make a shared breath last five thousand years

You mark the plot of your life in elaborate red letters

You translate each jingoistic animal call back into common protest

 

 

___________________

Bark, Archive, Splinter

 

Bark, archive, splinter

No discrete points, just a coalition of surfaces and duration

He said, so what is so necessary and urgent about deep time; what runs riot in you is not the tended relation

of herring scales in contact with a safer hue nor

Lacking vasculature, dense black moss plagiarises the texture of waterlogged suede, concatenates

amongst networks of lichens and ferns to thinly slice uncut pages of the climate into the epiphytic

Sallowing spike and stair-step as colophons across scabby fir and hemlock

The extant treeline is no line at all, not even a sentence diagram, but functions like a lariat of pinprick

recognition

—————————————————————————————conjugation

He explains that so felled wood will take centuries to decay back into this soil; and that whole slow odyssey

seems to encompass intimate layering, feeling alongside the deceased, the reintroduction of sylvan defoliants, substitution of the variant for the exhaustion of the image

Like unfolding his quire, warm from your pocket

Warped windward. Flag tree

You admired his mastery of having zero interest in the competition for a fragile beauty

——————————————————————————————————aliveness

Dried moss. Metal watch

The pressure to press on each of your racial icons, and talismans, and cognates, imported seeds which

risk the mimic of brown study

————pleasure

 

______________________________________________________________________________________________

 

Jay Gao is a poet and writer from Edinburgh, Scotland, living in New York City. His most recent poetry collection is The Dead One, The Unconscious One, Thundering in Your Ear, Thriving Slumber (Nightboat; Carcanet 2026). His debut collection Imperium (Carcanet 2022) was a winner of the 2023 Michael Murphy Memorial Prize, an Eric Gregory Award and a Somerset Maugham Award. Currently, he is a PhD candidate in English and Comparative Literature at Columbia University.

 

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