Kill Your Anxiety

Always Unspoken

He knew something about breeding

Colossal

_____________

 

Kill Your Anxiety 

 

For Daisy Buchanan

 

You want dim knowing 

so speak husky hum of 

garden party fur, mist 

on lips that tip back 

laughter. Bottle 

the green rim 

of your voice 

made from money

cut by iron hands

and boots that thrust 

your face to gold

toilet afterwards, straining 

the lavender dry 

of already felt things.

 

You want your veins 

to tread his 

unattended funeral always 

treading unwanted messages 

into crumpled paper songs

we’ll burn as rituals

thrown into the pit 

of the New Year.

Whisper we’ll never

repeat the past 

we’ll always repeat

the past inside 

our flesh so full 

of other people.

 

You want to know 

the backroom deal 

he’s making of 

How are you?

Pin the unanswerable 

blue glare of heavy

beaded guests. Sag

the history of every 

fenceline. Every

eye that streams

from flight must fight 

diamond reminders 

that shine and hiss 

whenever you begin 

to have a good time.

 

You want to melt 

into the yawning 

orchestral hall of 

bells.  Hurry 

your head into dawn 

and crack the plank 

of reason. Splinter

from the wet

side of your skin,

pressed and begging 

to get out. 

 



______________

 

Always Unspoken 

 

For Nick Carraway 

 

Instead, I am the rouged glance 

at the bottom steps, every day is 

a waltz with the dilatory 

message, truth like a ripped piece of paper

mulching under my tongue. 

 

I’d like to know what it means to want 

too much of the night. 

Phrases take shape from bells 

of weather, rustle of bird stir 

that exults beaks over the damp 

earth, worms’ shameless 

roil of lawn. 

But I say nothing. 

 

I’d like to know how to live 

in the skip of bootlegger pebbles, 

inside her nape collar of fur.

Bite off the sun 

and spit out the green

light of flowers.

 

I’d like to be your first reason 

for waking under the steeple hour,

brass tremble-panic. The weeklong 

ledger of necessity you scrawl 

against the cuckoo clock mutter

of plastic birds we’d smash 

into a life grown involuntary,

urgent as recovering how 

the strange can make us familiar

and the fictional, real.

 

Under some May humming moon,

I will tell you and streetlights 

will form a blurred ladder 

from your cul-de-sac

and up to Orion

 

we will climb out 

of the pap 

and into the milk 

of startlement.

 

 

 

___________________________

 

He knew something about breeding 

 

from Myrtle, to Tom

 

I’ve been called thick.

A red gleam 

bouncing on leather

streets you zip into 

your pockets or order

from a QR  

code shaped like

mycorrhizal roots 

pinned to the loamy

cork of the dive’s

backroom wall.

 

I’ve been called continuous.

The other woman 

who carries flesh 

nerves as one smoldering 

slab in your mirror

you hammer into 

your door, tell 

I’ve never felt so open 

because you can 

walk through a ghost 

nob that turns over

faithfully every time 

you touch her. 

 

I live on the ashline

of industrial supplies

every time you edit 

your cart, proceed to 

checkout, place your order 

or Google your familiar 

Apple click to pay

for what’s hot.

 

From the highway 

you text and drive

me into premonition, 

drunk wheat stalks 

heap rot promises 

of burnt sugar, 

blackened chrome,

dumb blue-eyed AI 

billboards arching over

one way out. 

 

You want too much 

of the world you said 

so I repeat Daisy, 

repeat the word

because I hate 

myself into abstraction,

hate every velvet petal 

she means and I can’t 

end until you stem 

into one deft swipe 

at my face,

my nose shattered

like a wine glass 

claw dabbing fingers 

at the gaslit night.

 

Let’s get out

you whisper but 

giant AI eyes

keep their blue 

billboard vigil.

Overripe in noon, 

a face hangs like a peach 

over sugared asphalt,

advertising a spectacle

off the road that chokes 

our desire 

into accident.

 

My mouth ripped 

at the corner. 

My eyes stiller 

than wood 

spectacles.

 

My breast a flap 

under breath

still chanting 

 

You can’t live 

forever, You can’t live 

forever. 

 



______

 

Colossal 

 

For Gatsby 

 

You think you can 

make your house 

wink to daylight. 

Blaze like a string 

of pearls, accounts 

that burn intuition

in roadside wires. 

 

Try to sew your eyes 

to hers, one double 

string to steady her 

glance into cups, 

lemons, and tulip

wilt. Every tea 

an opportunity 

to read the future, 

the gloss of leaves 

that snap off 

the flooding sides 

of Texas and New Jersey. 

 

Hear the click 

of children gathering 

grass heat, colossal 

weather now slick 

as a glass clock tumbling 

intricate just past 

the sweat of fingers. 

 

Your premature noon

hums deathless 

as the casual swell 

of your inner child

 

that pours wingless 

furred moths now 

one rising yellow body, 

one state of emergency

in the New York region,

tire tracks tracing visibility 

to the water's edge. 

 

You watch her drive away 

without looking back. 

 

Press your ear 

to listen for the wet 

sound under the sound. 

For the deal 

living in the ideal,

the I always straining 

to push it forward. 

 

 

______________________________________________________________________________________________

 

 

 

Raw Anyone is Alex Mattraw’s most recent full-length collection of poems (Cultural Society, 2022). She is also the author of We fell into weather (2020), and small siren (2018), as well as several chapbooks. You can find poems from her current projects in The Brooklyn Rail, Dreginald, Interim, and VOLT. A frequent collaborator with other writers and artists, Alex is the founder and curator of the Bay Area multigenre reading series, Lone Glen, now in its fifteenth year. 

 

 

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